Paul Mark's 10th album release, taking his roots rock and classic pop sensibility out into the next wave.
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The lyrics used here are from Ralph Manheim and John Willet's unflinching 1976 translation of the Brecht/Weill masterpiece, "Threepenny Opera". First performed in Berlin in 1928, "Threepenny Opera" was a savvy reworking of "The Beggar's Opera", the resilient “ballad-opera” written for the stage by John Gay in 1728.
From its Weimar era premier right up through the 1960s, Threepenny Opera — replete with stabbings, overt sexuality and indictments of sitting institutions — was regularly bowdlerized by the prevailing tastemakers, from Nazi culture police to American pop producers slumming for a hit. Even Bobby Darin's 1959 swing take on “Mack” (lifted largely from Louis Armstrong's Dixieland version from 1956) strikes the ear like a bachelor pad throw pillow, for all its hypermodulatin' brio.
Once awakened to the original’s civilization gone mad accusations, softening the work for political gain — or for the diversion a wider audience — seems an unwitting step into the very corruption targeted by the composers.
I first heard the Manheim/Willet translation on the 1976 Columbia LP of the New York Shakespeare Festival’s bold production of Threepenny Opera. After scanning today's headlines neither the Brecht/Weill horror show nor the Manheim/Willet translation require any updating.
Triple-threat songwriter-musician-producer Paul Mark has been turning the heads of critics and barflies for decades. With a
striking lyrical edge and an encyclopedic facility with American roots music, NYC-based Paul Mark has built a top-drawer original song catalog that tugs on the ears of the literary as well as the liquidated. Mark is principal owner of Radiation Records....more